Harry Bertoia

Harry Bertoia

(American, 1915-1978)

Harry Bertoia
Untitled (Bush), ca. 1970
Welded bronze and copper
14 X 22 X 12 in.

Harry Bertoia
Untitled (Sonambient), 1977
Inconel, beryllium copper & brass
14 1/8 X 6 1/2 X 3 in.
Provenance: Benjamin Mangel Gallery

Harry Bertoia
Untitled (Sonambient), 1965
Beryllium copper & brass
18 1/2 X 6 3/4 X 5 5/8 in.
96 rods with ball tops
Provenance: Benjamin Mangel Gallery

Harry Bertoia
Untitled (Bundled Wire Form), c. 1965
Stainless steel & steel wire
32 X 8 X 7 in.

Harry Bertoia
Untitled (Shot Fusion), 1970
Patinated bronze
11 X 12.5 in.

Harry Bertoia
Color Monographic Drawing, 1958
Hand printed ink on rice paper
23 1/2 x 38 1/2 in.
HB 230 on walnut frame (verso)
Provenance: Estate of Harry Bertoia

Harry Bertoia
Untitled (Upright Figure), 1970
Melt-pressed beryllium copper
5 X 2.5 X 1.25 in.

Harry Bertoia
Sonambient, 1970s
Beryllium copper rods silvered to brass base
22 1/4 x 7 x 7 in. (144 rods)
(COA, Harry Bertoia Foundation)
SOLD

Biography

Harry Bertoia was a sculptor who was best known for his classic Bertoia Chair and numerous monumental architectural sculptures. He was born Arieto Bertoia in San Lorenzo, Italy on March 10, 1915. He attended school in Italy until the age of 15 when he accompanied his father to Michigan to see his brother Oreste. Upon immigrating to the United States, Bertoia Americanized his name, adapting it from his Italian nickname, Arieto, meaning "little Harry."

After finishing high school in Detroit, Bertoia received a scholarship to the Detroit Society of Arts and Crafts, where he studied drawing and painting. In 1937, he attended the Cranbrook Academy of Art in Bloomfield Hills, MI. In 1939, he was asked to stay on at Cranbrook Academy to teach metalwork. Metal was scarce during World War II so Bertoia was forced to concentrate on jewelry making. When he wasn’t teaching, Bertoia spent time creating monoprints, which he later sent to the Solomon R. Guggenheim Museum to be assessed. In 1943, the Guggenheim foundation exhibited 19 of Bertoia’s prints.

In 1943, Cranbrook Academy of Art closed its doors and Bertoia moved to California. While there, he worked with Charles Eames and Ray Eames on projects that involved sculpting molded plywood. During this time, Bertoia continued to work on his monoprints, and held his first exhibition at the San Francisco Museum of Art in 1945. In 1950, he moved to Pennsylvania to work with Hans Knoll.

It was during this time that Bertoia designed the Bertoia Diamond Chair series, which is still produced by Knoll, Inc. In 1953, General Motors commissioned Bertoia to complete an architectural sculpture, which became his first of many. Some of Bertoia’s more notable architectural sculptures include View of Earth From Space, designed for the Dulles International Airport, Waves, designed for the Philadelphia Civic Center, and Sounding, a fountain piece designed to sit in front of the Standard Oil building in Chicago. Bertoia is in the collection of many famous museums, galleries and collections including MIT, MAD, Guggenheim, Smithsonian, Cranbrook, and Hirshorn Museum.